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CD Reviews
Review: Animal Collective, Merriweather Post Pavilion
Domino (2009)
Animal Collective began as a band of fringe weirdos, but over time they've dropped the freak from their folk.
By:
MICHAEL PATRICK BRADY
| January 06, 2009
Review: Factory Records: Communications 1978-92
Rhino (2009)
The whole Factory Records stereotype of thin, earnest men in long raincoats complaining about the cold and the damp to absolutely no chicks whatsoever over frenetic machine-made beats is with us for a reason.
By:
DANIEL BROCKMAN
| January 06, 2009
Review: Gilfema + 2
ObliqSound (2009)
With rising jazz-guitar star Lionel Loueke in the mix, Gilfema are shaping up to be a jazz supergroup.
By:
JON GARELICK
| January 06, 2009
Review: Have Nots, Serf City U.S.A.
Bankshot
Poverty sucks, but buying stuff is awesome, so I have mixed feelings about capitalism.
By:
BARRY THOMPSON
| January 06, 2009
Review: Mallu Magalhães
Vivo (2009)
Mallu Magalhães is a teenage girl from São Paulo who was raised on a steady diet of old Beatles, Dylan, and Johnny Cash records.
By:
GUSTAVO TURNER
| January 06, 2009
Review: Let Freedom Sing! Music of the Civil Rights Movement
Time/Life (2009)
In any given Black History Month, the three-disc Let Freedom Sing: The Music of the Civil Rights Movement would be a powerful anthology.
By:
JEFF TAMARKIN
| January 06, 2009
Review: Musiq Soulchild's Onmyradio
Lukewarm-Lanta
Atlantic (2008)
By:
MIKAEL WOOD
| December 15, 2008
Review: Little Willie John's Nineteen Sixty Six
Kent Records (2008)
Rare soul
By:
GUSTAVO TURNER
| December 19, 2008
Review: Akon's Freedom
Droppin', poppin', etc.
Back in April 2007, R&B singer and rapper Akon dry-humped a 15-year-old girl on stage, an incident that led to some overblown criticism in the conservative media.
By:
DAVID BOFFA
| December 15, 2008
Review: Anthony Hamilton's The Point of it All
Zomba
Anthony Hamilton is like a latter-day Bill Withers, with a gruff, straight-talkin' voice that can holler at you from across the room and then downshift to a gentler, fatherly tone once you draw close.
By:
ZETH LUNDY
| December 16, 2008
Review: Instro Hipsters A Go-Go!
Throwback Throwdown
Psychic Circle (2008)
By:
DEVIN KING
| December 15, 2008
Review: Kanye West's 808s and Heartbreak
West Coasts
Roc-A-Fella (2008)
By:
RICHARD BECK
| December 15, 2008
Review: Angil & Hiddentracks - Oulipo Saliva
Chemikal Underground
By:
GUSTAVO TURNER
| December 09, 2008
Review: Johnny Cash at Folsom Prison
Legacy Edition
Early rocker turned country icon Cash hit California's Folsom like a lightning bolt on January 13, 1968, delivering two raw shows to a captive audience.
By:
TED DROZDOWSKI
| December 09, 2008
Review: Fennesz - Black Sea
Touch
In the music of Christian Fennesz, there's a fine line between what's being done for you as a listener and what's being done to you.
By:
MICHAEL BRODEUR
| December 17, 2008
Review: Miles Davis - Kind of Blue:
Columbia/Legacy
By:
JON GARELICK
| December 12, 2008
Review: RTX - JJ Got Live RaTX
Drag City
By:
DANIEL BROCKMAN
| December 09, 2008
Review: Nina Simone - To Be Free
RCA/Legacy
Nina Simone was her own gospel, a sinuous force of uncompromising power and righteous beauty.
By:
ZETH LUNDY
| December 09, 2008
Review: Jeffree Star's Cupcakes
Popsicle (2008)
Why am I listening to this pitch-corrected-to-death excrement when we should all be watching Jeffree Star's Cunt of Love (or something to that effect) on VH1?
By:
BARRY THOMPSON
| December 02, 2008
Review: Tom Jones' 24 Hours
S-Curve (2008)
At 68, Tom Jones has decided it's about time he became a songwriter.
By:
JEFF TAMARKIN
| December 02, 2008
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